Here are process pictures of the mosaic mural I’m creating for Millerstown, Pa with a grant from the Perry County Council on the Arts.

PUBLIC ART

Quilted Cultures, 2023

For my spring 2022 Ceramics Studio class at Lebanon Valley College the focus was for the student’s to design and create a mosaic tile mural about diversity, equity and inclusion on campus. I taught the class along with my friend and mural artist Michaelanne Helms.

The students started by developing surveys to poll the faculty, staff and students about the theme of diversity, equity and inclusion. They also met with different campus clubs and individuals that were willing to share their points of view. The data gleaned from the surveys and meetings were used to solidify ideas into visual concepts. With these concepts in mind, students developed public art proposals which they presented to the class and a panel which selected three proposal finalists. The proposal finalists were displayed in the Bishop Library where the campus community voted for their favorite. Amelia Mantione’s proposal of a quilt containing different cultural and social symbols was selected. The class worked together to realize the proposal’s conceptual design into a tile mosaic. The mural was created for an indoor setting and would be installed at a later date so it was constructed on individual panels. Each student chose a clay surface technique and glaze colors for their two tile emblamatas. Once the clay emblamata’s were made, fired and adhered to the panel surface, cut stone tile pieces in various shades of gray were added along with a border of mirrored tiles. The mural was then grouted. The finished mural was installed in the Allan W. Mund College Center in late 2022 and unveiled to the campus community on Martin Luther King day, January 2023.

Bee the Change, 2023

Students in my Art for a Changing World: Studies in Environmental Art—a course as the Humanities component of the Connective Experience, “Web of Life”—created a ceramic tile art installation to bring awareness to the decline of bees populations due to pesticides, drought, habitat destruction, nutrition deficit, air pollution, and global warming. The students created hexagon shaped tile pieces to form a bee hive effect once installed. Bright colors of native wildflowers of Pennsylvania were painted on the leather hard clay surface and wax resist was applied over that. Then the students traced outlines of flowers over top creating and embossed line. The line was then removed to reveal the raw clay underneath. Black underglaze was applied to the lines and cleaned with a sponge leaving just the outline of the flower.

*This installation is currently being glazed and the campus location is tbd.

Cornwall Elementary “Art in the Garden” Tile Project 2022

To bring art into the garden and to promote healthy eating, 120 Fifth graders etched garden designs in leather hard clay. The completed tiles were hung on the chain link fence that surrounds the school garden.

Artist’s Residency at Watershed Center for the Ceramic Arts Newcastle, Maine Summer 2021.

Forest Fable: A project for Governor Dick

In fall 2019 I received a grant from the Mt. Gretna Arts Council to be the Artist-in-Residence for the Clarence Schock Memorial Park Environmental Center at Governor Dick Park.

I proposed to the Arts Council two projects that would engage the community and expand the park’s audience through the intersection of art, science and nature. The projects will be completed over the course of one year to showcase the park in multiple seasons. For the first project I will design, implement, and install one project with community members for the Environmental Center. For the second project community members will create a small ceramic memento to take home.

The “Forest Fable” project hosts twenty people that are divided into two groups of ten. We will meet at the park’s Environmental Center where I will explain the project in detail and assign a tree to each participant. Then we will go on a hike with biologist Dr. Rebecca Urban, a friend and colleague from Lebanon Valley College. Dr. Urban will discuss the various ways to identify trees, highlighting 20 species found in the park. She will examine the various characteristics--bark, leaf, fruit, leaf bud/twig, and flower—that help identify each tree species. Along the hike, each participant will make a clay print of the bark of their tree.

Once back at the center, the participants will create a composition of the identification markers in a 12-inch diameter circular format. Each participants circle will include: the botanical name of the tree, a bark print, leaf print, a fruit print, a leaf bud/twig print, and the flower. The elements that are not available to us in the woods at this time of year—such as the flower or fruit—will be represented by a botanical line drawing using a clay surface technique called  “sgraffitio.”

After the two groups create the ceramic pieces, I will take the art to my studio and do an initial firing in a ceramic kiln. A week later the participants will come back to glaze their pieces.

The ceramic pieces will be fired in the kiln again to set the glaze. Over the winter, I will mount each participant’s work on circular wooden boards and install the finished pieces in the main room of the Environmental Center for the public to enjoy.

Birds of the Wood Thrush Preserve, 2021

In the early spring of 2020, students in Karen Beall’s in Art for a Changing World: Studies in Environmental Art—a course as the Humanities component of the Connective Experience, “Web of Life”—created a ceramic tile art installation. The students created line drawings (a technique called sgraffito), on clay tiles of individual birds, along with their scientific and common names of birds found in the Wood Thrush Preserve on the LVC campus. The birds are depicted in glossy black silhouette on a matte electric blue background reminiscent of dusk light. The tiles also contain white dots and lines that represent constellations which reflects the migratory nature of birds. The installation was created to bring awareness to the fact that two-thirds of North American bird species are at risk of extinction from climate change. The primary cause of species decline are the loss, fragmentation and degradation of habitat. Understanding the reason for population changes in migratory species requires careful consideration of conditions in all the places where the species spends part of its life.

Gallery work

Ceramic Work